How to listen to and understand great music
(CD)

Name: How to listen to and understand great music
Author: Greenberg, Robert, 1954-

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Author

Greenberg, Robert, 1954-

Contributors

Teaching Company,

Published

Chantilly, VA : Teaching Co., c1998.

Physical Desc

48 sound discs : digital ; 4 3/4 in. + 6 course guidebooks (6 v. : ill., map, music ; 22 cm.)

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Location	Call Number	Status
Canon City Public Library - BOOK ON CD	CD 781 GRE pt. 1 Part 1	On Shelf
Canon City Public Library - BOOK ON CD	CD 781 GRE pt. 2 Part 2	On Shelf
Canon City Public Library - BOOK ON CD	CD 781 GRE pt. 4 Part 4	On Shelf
Canon City Public Library - BOOK ON CD	CD 781 GRE pt. 5 Part 5	On Shelf
Canon City Public Library - BOOK ON CD	CD 781 GRE pt. 6 Part 6	On Shelf

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Part I. The ancient world through early Baroque. Lecture 1. Introduction

Lecture 2. Sources: the ancient world and the early church

Lecture 3. The Middle Ages: darkness, change, and diversity

Lecture 4. Introduction to the Renaissance

Lecture 5. The Renaissance mass: Josquin des Prez, Palestrina, and the Counter-Reformation

Lecture 6. Secular music in the late Renaissance and the search for expression: the madrigal

Lecture 7. Introduction to Baroque

Lecture 8. Style features of Baroque music and a brief tutorial on pitch, motive, melody and texture ;

Part II. The High Baroque. Lecture 9. The rise of German nationalism in music --

Lecture 10. Fugue --

Lecture 11. Baroque opera, part 1 --

Lecture 12. Baroque opera, part 2 --

Lecture 13. Baroque sacred music, part 1: the oratorio --

Lecture 14. Baroque sacred music, part 2: the Lutheran Church cantata --

Lecture 15. Baroque instrumental forms, part 1: passacaglia --

Lecture 16. Baroque instrumental forms, part 2: ritornello form and the Baroque concerto ;

Part III. The classical era I. Lecture 17. The Enlightenment and an introduction to the classical era --

Lecture 18. The Viennese classical style, homophony, and the cadence --

Lecture 19. Classical-era form: theme and variations --

Lecture 20. Classical-era form: minuet and trio I: Baroque antecedents --

Lecture 21. Classical-era form: minuet and trio II --

Lecture 22. Classical-era form: rondo --

Lecture 23. Classical-era form: sonata-allegro form I, part 1 --

Lecture 24. Classical-era form: sonata-allegro form I, part 2 ;

Part IV. The classical era II and the age of revolution: Beethoven. Lecture 25. Classical-era form: sonata-allegro form II --

Lecture 26. Classical-era orchestral genres: the symphony: music for every person --

Lecture 27. Classical-era orchestral genres: the concerto --

Lecture 28. Classical-era opera: the development of opera buffa --

Lecture 29. Classical-era opera: Mozart and the operatic ensemble --

Lecture 30. The French Revolution and an introduction to Beethoven --

Lecture 31. Beethoven's Symphony no. 5 in C minor, op. 67, part 1 --

Lecture 32. Beethoven's Symphony no. 5 in C minor, op. 67, part 2 ;

Part V. Nineteenth-century Romanticism. Lecture 33. Introduction to Romanticism --

Lecture 34. Formal challenges and solutions to early Romantic music: miniatures: Lieder and Chopin --

Lecture 35. Formal challenges and solutions to early Romantic music: the program symphony: Berlioz's Symphonie fantastique --

Lecture 36. Formal challenges and solutions (cont.) --

Lecture 37. Nineteenth-century Italian opera: Bel canto opera --

Lecture 38. Nineteenth-century Italian opera: Giuseppe Verdi --

Lecture 39. Nineteenth-century German opera: nationalism and experimentation --

Lecture 40. Nineteenth-century German opera: Richard Wagner ;

Part VI. From Romanticism to Modernism: 1848 to 1913. Lecture 41. The concert overture, part 1 --

Lecture 42. The concert overture, part 2 --

Lecture 43. Romantic nationalism: post 1848 musical nationalism --

Lecture 44. Russian nationalism --

Lecture 45. The early twentieth century and the Modernist --

Lecture 46. Early twentieth century Modernism: the search for a new musical language: Debussy --

Lecture 47. Early twentieth century Modernism: the search for a new musical lanuage: Stravinsky --

Lecture 48. Early twentieth century Modernism: the search for a new musical language: SchÃ¶nberg.

Subjects

LC Subjects

Music -- 18th century -- History and criticism.
Music -- 19th century -- History and criticism.
Music -- 20th century -- History and criticism.
Music -- History and criticism -- Early works to 1800.
Music -- History and criticism.
Music appreciation.

Other Subjects

Audiobooks (CD)

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Published

Chantilly, VA : Teaching Co., c1998.

Format

Language

English

Notes

General Note

Eight lectures in each of the six containers.

Bibliography

Course guidebooks include bibliographical references.

Participants/Performers

Lectures delivered by Professor Robert Greenberg of the San Francisco Conservatory of Music.

Description

Lectures on music appreciation and history.

System Details

Compact discs.

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Citations

APA Citation, 7th Edition (style guide)

Greenberg, R. (1998). How to listen to and understand great music . Teaching Co..

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Greenberg, Robert, 1954-. 1998. How to Listen to and Understand Great Music. Teaching Co.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Greenberg, Robert, 1954-. How to Listen to and Understand Great Music Teaching Co, 1998.

MLA Citation, 9th Edition (style guide)

Greenberg, Robert. How to Listen to and Understand Great Music Teaching Co., 1998.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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How to listen to and understand great music
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How to listen to and understand great music(CD)

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Also in this Series

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Table of Contents

Excerpt

Author Notes

Subjects

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Notes

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Published Reviews

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How to listen to and understand great music
(CD)